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31 posts categorized "Faculty"

Get Ready for Cajun Friday

Friday, July 3, at 7:30pm we're hosting a grand ole Cajun and Swing Dance outside McCurdy Pavilion here at Fort Worden. (We'll move it inside if it rains).

The evening will feature some of the finest Cajun musicians in America - Jesse Lege, Joel Savoy, and The Red Stick Ramblers - onstage, and YOU dancing on Littlefield Green. (Purchase tickets online.)

The Red Stick Ramblers first emerged from Baton Rouge around 1999. Even early on, their live shows were inspired and infectious, equal parts unbridled, ramshackle energy and thrilling musical precision. Up and down the Gulf Coast, the Red Stick Ramblers quickly earned a reputation as a thrilling band as appealing to elderly Cajuns as they were to college kids out for a good time. Four albums later, the Ramblers are nationally sought-after, and we're happy that they are choosing to spend the week with us.

Faculty Changes at Fiddle Tunes

With great regret we inform you all that James Cheechoo and his family, due to circumstances beyond his control, will not make it to Fiddle Tunes this year. We're actively working to see that he makes it in 2010.

However, in his stead come two different styles of music. Jose Moreno, one of the last Tex-Mex string players from Texas, will visit with Chuy Castillo, who will accompany him on bajo sexto. Those of you who remember Mr. Moreno's first visit to Fiddle Tunes will recall that he also plays the button accordion. Here's a short bio: 

http://www.markrubin.com/josemoreno/#2

In addition to the Mexican string tradition, we'll also have a style that has never before been represented in Port Townsend - fiddling from the Orkney Islands, north of Scotland: Scottish music with Scandinavian underpinnings. Who is this fiddler? Not telling, this is a Centrum surprise for Fiddle Tuners, but you'll meet this player when we get going on June 28.

Updates to Fiddle Tunes Faculty and Performers

We've just finished posting a complete faculty listing for the 2009 Festival of American Fiddle Tunes workshops. The listing includes our terrific tutorial staff. For those of you purchasing tickets to the Festival's performances, we've added biographical information and photos for the performers, which you can find on the performances page.

Cajuns at Fiddle Tunes this year

There'll be many interesting people from Louisiana in Port Townsend this summer. Here's some of the things they'll be doing during the workshop:

morning classes
    Joel Savoy and Linzay Young - the twin fiddle music of Courville and McGee. 
        (hear Dennis: http://www.youtube.com/watch?v=WOwNFPC3ens)
    Jesse Lege, the Cajun's Cajun - accordion
    Kevin Wimmer - swing fiddle
    Chas Justus - swing guitar

afternoons
    Traditional Cajun band lab - Jesse Lege and Joel Savoy
    Swing band lab - Kevin Wimmer and Chas Justus
    Cooking - Linzay Young             (http://www.almenapictures.com/cooking_volume1.html)
    Tutorials - accordion with Dave Lang, and fiddle with Kelli Jones.

Glenn Fields (drums) and Eric Frey (bass) of the Red Stick Ramblers will also be here, helping as needed with band labs, dances, eating, and enforcing dress codes.

Cool, huh?

John Specker's Bow

John Specker The post-Highwoods String Band era in upstate New York spawned many young, excited, and passionate old time musicians who formed bands such as the Henrie Brothers, the Swamp Root String Band, and later the Horseflies and Donna the Buffalo.

One outfit that left a serious mark was the Correctone String Band, led by the primal fiddler John Specker. Although Specker has lived in Vermont for decades, his influence can still be heard and felt in this region. His contributions to old time fiddling – blood red bow-driven backbeat, and playing chordally and in tune on three strings simultaneously - reverberate today in the music of many upstate players today.

The tunes he plays are simple and generally not rare, but he strips them down, chews them up, internalizes their essence, and then presents them “with an intensity that has to be seen to be believed.” You’ll never hear “Little Rabbit” in the same way after hearing John sing and play it. He comes from a state of complete abandon, which helps to create his highly individualized style.

So, we’re wicked happy that John has accepted an invitation to Fiddle Tunes this summer. It’s not something that he generally does – it’ll be his first time on a plane – and the richness of his music and his spirit will surely elevate the gathering.

You can listen to him with his daughters on his Myspace page, although recordings of John pale in comparison to hearing him in person.

Guitarists Wanted to Jam with De Temps Antan

De Temps Antan
March 3-6, the dynamic ensemble De Temps Antan will be at Centrum to lead an intensive workshop on Québécois Fiddle Tunes.

The participant response so far has been terrific, but we have more fiddlers and fewer guitarists than we anticipated.

All are still welcome, of course, but if you play guitar or have friends who do, please have them contact us about this workshop. The intensive will take musicians on a journey like no other, and we want you to be part of it.

Cree Fiddler James Cheechoo at 2009 Fiddle Tunes

James Cheechoo We are deeply honored that James Cheechoo has accepted an invitation to share his music at Fiddle Tunes this summer. Mr. Cheechoo is a member of the Moose Cree First Nation, a Native reserve community located on the old island settlement of Moose Factory, Ontario, on the southern shore of James Bay. The first English settlement in Ontario, Moose Factory dates back to the 1670s when it was established as a major fur trade outpost for the Hudson's Bay Company. In fact, Mr. Cheechoo essentially traded two fox pelts for his first fiddle.

From the late 1600s, the island was a destination point for Hudson Bay Company ships. With the ships came the Irish and Scots, especially Orkneymen, and their fiddle music slowly but surely became a part of life on James Bay. Mr. Cheechoo grew up hearing his father and older brothers play, and he naturally took up the instrument at age 12.

He’s self-taught, and one of the few remaining traditional James Bay Cree fiddlers, with a repertoire of approximately 60 traditional tunes. He says, “I like the old songs more because the new songs mix it up with the other songs when you play the new songs. The old songs are pure; that is just the way it is…… I like it better that way.

His music is generally accompanied by a handmade skin drum played with two sticks, and sometimes the bones. Mr. Cheechoo’s wife and son will accompany him to Port Townsend as his “rhythm section.”

A strong social dance tradition evolved in James Bay along with the fiddle music. Generally, each tune is associated with a specific dance -  the Rabbit Dance, the Scratching Dance, the Kissing Dance or the Elbow Swing are a few. Mr. Cheechoo describes a typical gathering:

In somebody’s house they would make room in the evening. That was where we would have a dance.  And we got the candles from the store. We would ask the manager for candles and he would give perhaps 20 candles. That was what we used. That would make the light good in somebody’s home. He is making a dance and my father would be playing fiddle. Lots of people inside – ladies came with their children, and the men. Through the window on the outside they would look in to see what was happening inside. We would have many different square dances. Kissing Dance too. That was good. The Kissing Dance was not used in the beginning. That is the last one they play before they close off to say good-bye to everybody. Kissing Dance – I kiss a woman and then she kisses the man. And they make a big circle. First, two people make a small circle, and then it gets bigger and bigger and bigger until that’s it. The last lady had to kiss the fiddler.”

Workshop participants take note – this is a single fiddle tradition, that is, only one fiddler plays at a time. Our guess is that Mr. Cheechoo will not be leading a band lab!

We’ll post more information on James Cheechoo and the Cree fiddle tradition very soon.

Letter From Havana

By David Romtvedt

"Missionaries"

In June I was in Havana as part of a four piece band that included my friends Mona and Ryc, and my David Romtvedt 4 daughter Caito.  We were traveling under the auspices of Cuba AyUUda, a First Unitarian Church of Portland program meant to build mutual understanding between Cubans and Americans.  The problem with going to Cuba to build understanding is that the United States government has for nearly fifty years conducted a blockade against Cuba that includes forbidding travel to that country by US citizens.  So if you’re American you can’t go to Cuba to do anything. 

Continue reading "Letter From Havana" »

Get Ready. Get Set. Fiddle!

A quick note post-election to let all of you Fiddle Tunes fanatics know that we are open for registration for our 2009 programs!

In addition to the Festival of American Fiddle Tunes gathering in July, we'll be hosting a springtime Québécois Intensive with De Temps Antan, and in the Fall, we have a special gathering that...well...I don't want to spoil the surprise yet.

Stay tuned....

Earl Murphy in the New Yorker

First time Fiddle Tunes faculy member Earl Murphy, who won a fiddle contest in 1926, has a nice photo in the April 28 issue of The New Yorker. Nancy Hartness reports from Georgia:

"We had a great weekend with Earl playing at the Second International String Band Festival of Gordon County.  It was a good trial run for Fiddle Tunes.  Although Earl has been around a lot of musicians for years, I don't think he'd ever experienced the sense of community like that this weekend with the old time bands who were there. He especially enjoyed meeting Jim and Joyce Cauthen who will also be at Fiddle Tunes. He also enjoyed reconnecting with Rich Hartness and Tolly Tollefson who he'd met a year ago when they visited us here in Athens."

Here is a link to the photo of Earl and Art Rosenbaum from the New Yorker.
http://www.newyorker.com/online/2008/04/28/slideshow_080428_bilger/?slide=3#showHeader

The photo is part of an article by Burkhard Bilger about field recordings, old 78s, reissues, and the strange and obsessive people in the world of record collecting. The article's not on-line, you'll have to buy the mag if you want to read it, but it's worth it, it's a great read if you're a old time musician - of any age.

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