3 posts categorized "Son Jack, Jr."

The Music of Skip James

Skip James’ music stands alone as some of the most haunting and melancholy blues you will ever hear.

James was born near Bentonia, Mississippi, the son of a converted bootlegger turned preacher, who left home to become a Baptist preacher when Skip was 5 years old. He dropped out of school in 1919 and worked at various times as a bootlegger, sharecropper and construction worker. It is said that his experiences as a laborer working on the roads and levees around Mississippi inspired one of his earliest songs, the classic "Illinois Blues".

His big musical influences were the unrecorded Henry Stuckey and the Sims brothers, Charlie and Jesse. Stuckey played in Open D minor and Open E minor tunings, from which James adopted Open Dm and created his own unique sound with the addition of a falsetto singing style. He is widely considered to be a very gifted musician with a clean and precise finger-picking style, and often played a hypnotic, droning bass anchor.

He auditioned for the legendary talent scout, H.C.Speir, in 1931 and was whisked off to Paramount’s Grafton, WI studios almost immediately. There, on a borrowed Stella guitar, he recorded an estimated 26 tracks, 18 of which were released including “.22-20” blues, that Robert Johnson borrowed heavily from for his “.32-20” blues, “Hard Time Killing Floor”, “Devil Got My Woman” and “I’m So Glad”. However, like for so many others, the great depression killed the music market and James abandoned performing in an effort to survive, by helping direct his father’s choir and later becoming ordained as a minister in both the Baptist and Methodist churches.

It was more than 30 years until he resurfaced, when he was found in a Tunica, MS hospital suffering from testicular cancer, which was ultimately to take his life some 5 years later. In the meantime, John Fahey, Bill Barth and John Vestine helped to re-introduce him to the world in the midst of the folk / blues revival and he made his first appearance at the Newport Folk Festival in 1964 where he was a resounding success.

Due to a combination of poor health, bad management and lack of rapport with his audience, James never managed to build a following and ride the revival wave in the way that Son House, Mississippi John Hurt and many others did. It was possibly too late when he realized this and retained Dick Waterman to represent him.

His big financial break came when Cream released their version of “I’m So Glad”, which enabled him to pay for much needed surgery. However, most of his fame has come posthumously with many of his songs being covered by other artists since his death, most famously perhaps being Chris Thomas King’s rendition of "Hard Time Killing Floor Blues" in the movie ‘O Brother, Where Art Thou?’. In addition, the crooner Dion, released a 2007 album titled “Son of Skip James” and British post-rock band Hope of the States released a song partially focused on his life entitled "Nehemiah", which charted at number 30 in the UK charts. 2004.

There is, thankfully, good quality footage of Skip James available both on youtube.com and on several DVD’s.

[Video of Skip James]

Better yet, if you get the chance to see John Cephas perform, he is without doubt the world’s premier exponent of Skip James music.  Mr Cephas is scheduled to teach and perform once again this year at Centrum’s Country Blues Workshop and Festival at the end of July in Port Townsend.

[John Cephas teaches "Sick Bed Blues", Centrum August 2007]

Skip James was married to Mississippi John Hurt’s daughter, Lorenzo, and they are buried together in a private cemetery, Merion Memorial Park, just outside Philadelphia.

The case to build on the Centrum “Experience”

ex·pe·ri·ence [ik-speer-ee-uhns]

The observing, encountering, or undergoing of things generally as they occur in the course of time: to learn from experience; the range of human experience.

When I started to think about what my first posting would be about it didn’t take long.  The fact is, that I count the days to the next Country Blues workshop (if you are wondering, as of today, March 20th, there are 128 days to go). As the event draws nearer, the excitement builds, almost to giggly schoolgirl proportions.  When the event is over, a sense of mourning comes over me as I drive out of the gates of Fort Worden to head back to Seattle and “life as we know it”.  Don’t get me wrong, I have a good life and I love my family more than words can say, but that’s just how it is. 

But why, I mean it’s just a workshop right?  Great question and I’m glad you asked.

In short, NO, it isn’t “just a workshop”.  Without a doubt, in the majority of cases, the workshop sessions are an incredible way to learn the music from the masters right up close and personal.  Not only that, but there are the porch jams, the impromptu jams, the nightly shows and the “just hanging out with the faculty” moments be it at the Jook, the Commons or elsewhere on the Fort, and to crown it all off, there's the blues festival at the end of the week.  But the real reason why this is no ordinary workshop is the quality, diversity and mutual respect of the other students, many of whom are from across the globe.  You really get to know people especially if you are lodging in the “noisy” dorm (like, I mean really) and spend long nights jamming, chilling out on the porch, trading/debating riffs, licks and entire songs or just chewing the fat about nothing in particular.  As a student of the workshop I learn as much outside the classroom as within it.  The overall “experience” is one of total immersion in the blues and for me that translates to total relaxation. 

However, the workshop is only 1 week out of 52 and while there are many ways to prolong the experience (do a web search on “blues forums” and “blues guitar workshops” and you’ll see what I mean) it is all pretty much disconnected from Centrum.

So, to kick things off, I’d like to see faculty, students, alumni, educators, and promoters (and others I have inadvertently missed) start to blog here so that we can create a virtual connection to keep the Centrum spirit alive for the other 51 weeks of the year.

C'mon - what do you say?

My name is Son Jack Jr. and I am a “Centrum experience” junkie. I’m not ashamed of it, but I could use some help.

Welcome Son Jack, Jr. to the Blues Site

I hope you'll join me in welcoming Son Jack, Jr. to the Centrum Blues site. He will be adding his wit and wisdom to the site periodically, and we look forward to his contributions.

SonjackjrSon Jack Jr. is a Seattle-based blues guitarist/singer/songwriter who has attended workshops at the Port Townsend Country Blues Festival for the past 7 years, and just released his 2nd album titled “When The Devil Calls”. He performs throughout WA State and has been nominated in four categories for the 2008 WA Blues Society “Best of the Blues” awards for Best Traditional Blues act; Best Solo/Duo act; Best Acoustic Guitar and Best Songwriter

He is a contributing writer to the WA Blues Society “Bluesletter”, and is active on the Blind Man’s Blues Forum. He is a former board member of Pacific Northwest Blues in the Schools and is on the advisory team for the WA Blues Society Education committee.  In February this year, he was a judge in the Solo/Duo act category at the International Blues Challenge in Memphis.

Son Jack Jr. will be performing in the clubs at this year’s Port Townsend Country Blues Festival in August.

He can be reached at sonjackjr@sonjackjr.com.

BLUES CONTACT INFO

  • Peter McCracken
    360-385-3102 x117
    peter@centrum.org

BLUES PHOTOS

  • www.flickr.com

ELSEWHERE AT CENTRUM