The official site of the Port Townsend Acoustic Blues Festival, and other blues education and performance programs offered by Centrum, the nonprofit center for the arts located at Fort Worden State Park, in Port Townsend, Washington.
Tickets for the Down-Home Country BluesFest on Saturday, August 6, 1:30 PM are available only in person at the McCurdy Pavilion Box Office on Saturday beginning at 12:30 PM.
Club Passes
Saturday club passes (wristbands) are available at the McCurdy Pavilion Box Office on Saturday from 12:30 PM to 3:30 PM or at any club one hour prior to performance time.
For the 20th year in a row, Centrum is proud to present the “Down-Home Country BluesFest,” an eclectic gathering of traditional blues artists, in concert at McCurdy Pavilion on Saturday, August 6 beginning at 1:30 p.m.
Reserved Seating - $33/$24/$18; Patrons under 18 admitted FREE.
The 2011 lineup features a diverse mix of styles and performances, including guitar/piano prodigy Jerron Paxton, master storyteller and guitarist Guy Davis, and the trance-blues sound of guitarist Otis Taylor. The set also includes the legendary boogie-woogie pianist and Chicago master Erwin Helfer, West Virginia veteran bluesman Nat Reese, and singer/songwriter Pura Fé, slide guitarist and founding member of the internationally renowned a capella group, Ulali.
JERRON PAXTON
Los Angeles-based Jerron Paxton plays guitar, banjo, piano, harmonica, and washboard. While there are few young African American musicians learning country blues in the communities from which it arose, there is a definite increase in younger black musicians learning and playing blues in much the same way that young white people did forty years ago - by listening to recordings and personally experimenting on their instrument. Jerron Paxton is a supreme example of this, a young man from Watts with a huge repertoire of prewar blues and rags, and an uncanny ability to channel the spirit of pre-war guitar and piano blues music.
GUY DAVIS
Guy Davis is a musician, composer, actor, director, and writer, but most importantly, Guy Davis is a bluesman. Guy has dedicated himself to reviving the traditions of acoustic blues and bringing them to as many ears as possible through the material of the great blues masters, African American stories, and his own original songs, stories and performance pieces. Guy’s passion for this music is rooted in the stories and music of his family. It is his storytelling set in an acoustic blues framework that sets him apart from his contemporaries.
OTIS TAYLOR
With Otis Taylor, it's best to expect the unexpected. While his music, an amalgamation of roots styles in their rawest form, discusses heavyweight issues like murder, homelessness, tyranny, and injustice, his personal style is lighthearted. "I'm good at dark, but I'm not a particularly unhappy person," he says. After playing in several bands and on his own, Otis decided to leave music behind in 1976. After a long hiatus, Taylor returned to music in 1995. During the 2000s, Taylor has released a slew of well-received albums. Otis Taylor's sound is a unique and potent hybrid of Delta-inspired country-blues and traditional folk and mountain music. He is also a self-described practitioner of ‘trance blues’.
ERWIN HELFER
Erwin Helfer is a Chicago boogie woogie innovator and master, who has been forging his own piano music legacy. Born in 1936, Erwin has been playing and performing for over forty years. The sounds and personalities of past boogie woogie and blues pianists have nurtured Erwin's musical growth. His way of playing the piano is timeless with its power and impertinence of youth paired with the expertise and humorous wisdom of age, mellowed and ripened not in barrels but in blues joints, jazz clubs and concert halls in the States, Europe and Asia.
NAT REESE
Nathaniel H. ‘‘Nat’’ Reese was born March 4, 1924, in Salem, Virginia. When he was four, Reese’s family moved to Itmann, Wyoming County, where coal jobs were plentiful. In 1935, the family moved to Princeton where Reese heard a rich musical mix from big-name jazz musicians, local black musicians, and performers on such radio broadcasts as the Grand Ole Opry. He learned to play instruments, including guitar, piano, organ, bass, and string harp.
Reese worked in the coal mines after classes at Genoa High School. For two years, he played jazz and blues on Bill Farmer’s Saturday night show on radio station WHIS Bluefield. He attended Bluefield State College for two years, then left to serve in the U.S. Army during World War II. During and after his college years, he was part of a dance band that played jazz, polkas, and blues throughout the southern coalfields.
His recordings include ‘‘Just a Dream’’ and ‘‘West Virginia Blues by the West Virginia Blues Man.’’ Among his honors are the 1988 John Henry Award and the 1995 Vandalia Award. He was inducted into the West Virginia Music Hall of Fame in 2009.
PURA FE
Pura Fé plays acoustic lap slide guitar. Her soulful voice and acoustic lap steel carry the ancestral message of the ‘Indigenous World’ and the missing history that unified and separated the blood ties of Black and Indian people of the South. Pura Fé resurrects the Indigenous (Native American) influence on the birth of the Blues.
Pura Fé is a founding member of the internationally renowned a capella trio, Ulali, and is recognized for creating a new genre, bringing Native contemporary music to the forefront of the mainstream music industry.
Thanks to our friends at the Port Townsend Jefferson County Leader, the official program for the 2011 Port Townsend Acoustic Blues Festival is viewable online.
However, a limited number of general admission tickets will be available on a first-come basis for $25 at the McCurdy Pavilion Box Office, on the campus of Fort Worden State Park, beginning at 10 a.m. on the morning of Wednesday, August 3.
The box office will be open from 10 a.m. until 4 p.m., or until the remaining tickets are sold. These special general admission tickets feature seating to the sides of the pavilion mainstage, and are ONLY available at the pavilion box office beginning Wednesday morning at 10 a.m.
2011 Port Townsend Acoustic Blues Festival faculty member Otis Taylor recently performed a 20 minute "Tiny Desk Concert" over at National Public Radio. He even talks about a previous visit to Port Townsend and working with the late John Jackson. Highly recommended viewing and listening...
Taj Mahal will join us midweek for a special concert at McCurdy Pavilion on August 3. In addition to the concert appearance, he will be a featured guest at a meet-and-greet, open exclusively to registered workshop participants, earlier in the day.
Composer, multi-instrumentalist and vocalist Taj Mahal is one of the most prominent and influential figures in late 20th century blues and roots music. Though his career began more than four decades ago with American blues, he has broadened his artistic scope over the years to include music representing virtually every corner of the world. What ties it all together is his insatiable interest in musical discovery. Over the years, his passion and curiosity have led him around the world, and the resulting global perspective is reflected in his music.
Chuck Berry aficionado Peter O'Neil came out to Port Townsend for the 2010 Port Townsend Acoustic Blues Festival. The draw for him was faculty member Daryl Davis, who in addition to being an outstanding and complex musician in his own right, also serves as musical director for Berry.
Peter was kind enough to write about his experience, and it is one of the most informative reviews (from a concert-going perspective) we've seen. He talks about Daryl's musical effort to inform the public about the true roots of Rock-n-Roll, Annieville Blues, and also gives a nice tourist snapshot of Port Townsend.
"Aside from great music, what the show gave me was a better sense of who Daryl Davis is: not only a great musician and entertainer, but also an historian and teacher. He teaches the audience where the music comes from, and obviously takes huge pleasure in teaching his craft to the workshop attendees."
We love everything about the Port Townsend Acoustic Blues Festival, but Blues in the Clubs seems to set the town ablaze with music. On Friday and Saturday night, the artist faculty head to numerous venues in Port Townsend's historic downtown and uptown districts to play sets in all sorts of interesting combinations.
It's jamming at its finest, and an experience you don't want to miss. One cover each night gives you access to an amazing variety of musicians. Sets begin at 9pm, 10pm, and 11pm.
Tickets are available online, or by calling 800-746-1982.You can also get club tickets at the door of each venue while the music is playing. "Will Call" tickets can be picked up at the Upstage.
Visit our Blues in the Clubs page for the complete schedule. Here is a list of the clubs - and please - show them how much you value their participation by purchasing food and beverages:
Saturday afternoon at the Port Townsend Acoustic Blues Festival is a highlight of summer in Port Townsend. When the sun is out, we open the huge hangar doors of McCurdy Pavilion, letting audience members and music spill out on to Littlefield Green. It's simply a great day of music.
This year, we have an especially fun group of performers doing their best to take you down-home - country blues style.
Tickets for all Blues Festival performances are available online,
or by calling 800-746-1982.Purchase Festival
Packages and Save!Allfest Package: $74/$9; Mainstage
Package:$44/$60.
Saturday, August 7 Down-Home
Country BluesFest McCurdy Pavilion | 1:30 pm |
$18/$24/$33
The Ebony Hillbillies: One of the Last Black String Bands
Steve James: Roots and Blues via Austin, Texas
Nat Reese and Phil Wiggins: West Virginia Songster with Piedmont
Master
The Jerron Paxton Band: Blues Guitar/ Piano Prodigy Joined By a
Host of Festival Friends
Ebony Hillbillies In Southern
states in the 19th century up to the ’20s and ’30s, it wasn’t uncommon
to hear a hoedown coming from a black man’s fiddle. At the time, music
was an interracial affair. White and black musicians seldom played
together, but they did share repertoires and traditions—Cajun waltzes,
Appalachian murder ballads and the blues.
New York’s Ebony
Hillbillies, a string band composed entirely of African Americans,
diversifies the foot-stompin’, fiddle-sawin’ archaic country music
typically dominated by white players. The 19th century string band sound produced
by a core of fiddle, banjo and guitar was a key element in the genesis
of blues music, and seeing black musicians reclaim the sound that was once
theirs is refreshing. They provide a great introduction to a largely forgotten
African American cultural legacy.
Steve James Guitar goniff,
mandolin maven and roots/blues road veteran Steve James is known for his high energy performances and technical virtuosity.Besides his many international tour
dates and critically hailed recordings, Steve is known to fans of "the
real" from his appearances on NPR's Morning Edition, A Prairie Home
Companion and many other syndicated broadcasts; also numerous books,
articles and lessons for Acoustic Guitar and instructional DVDs for
Homespun.
Nat Reese and Phil Wiggins We’re extremely
honored that Nathaniel Hawthorne “Nat” Reese will make his first visit
to Port Townsend this summer. Mr. Reese was born March 4, 1924 in Salem, Virginia
to Thomas Walker Reese and Rosa Sylvester Caroline Wilson Reese. Thomas
was originally from Montgomery, Alabama, and Rosa from Bessemer, Alabama.
The family moved to West
Virginia when Nat was four, and it was in the
coal company towns that Nat was exposed to many itinerant musicians, and
many kinds of music. In 1939, Nat first met and performed with
multi-instrumentalist Howard Armstrong, who was traveling through and
playing the coal camp circuit from his home in Tennessee. The duo was to perform
together with increasing regularity over the next sixty-five years until
Armstrong’s death in 2003.
Nat will be performing with the great Phil Wiggins, who was Centrum's first Artistic Director for Blues.
Jerron Paxton An amazing young musician based out of Los Angeles, Jerron Paxton plays guitar, banjo,
piano, harmonica, and washboard. While there are few young African
American musicians learning country blues in the communities from which
it arose, there is a definite increase in younger black musicians
learning and playing blues in much the same way that young white people
did forty years ago - by listening to recordings and personally
experimenting on their instrument. Jerron
Paxton is a supreme example of this, a young man from Watts with a huge repertoire of prewar blues and
rags, and an uncanny ability to channel the spirit of pre-war guitar and
piano blues music.
Each year, hundreds of blues musicians descend on Fort Worden State
Park, turning the historic facility in to a giant resonating chamber for
acoustic blues music. The Park comes alive, and so does each musician
who makes it happen.
After a week of workshops, we present the
renowned artist/faculty in a series of public performances - in Fort
Worden's WWI-era McCurdy Pavilion, as well as intimate club
performances in Port Townsend's historic downtown district.
Today, we're going to preview the Friday, August 6 evening mainstage performance at McCurdy Pavilion.
Tickets for all Blues Festival performances are available online,
or by calling 800-746-1982.Purchase Festival
Packages and Save!Allfest Package: $74/$9; Mainstage
Package:$44/$60.
Lightnin’ Wells: Blues, Rags and Roots From a Piedmont Master
David Bromberg Quartet: Instrumental Virtuosity Meets
Spontaneous Energy and Humor
Lightnin' Wells Hailing from Fountain, North Carolina, Lightnin' Wells breathes new life into the vintage tunes of the 1920s and depression era
America.
He learned to play harmonica as a young child and taught himself
to play the guitar as he developed a strong interest in traditional
music. He has presented his brand of acoustic blues throughout NC, the United States and Europe, and he is a favorite of workshop participants and Festival audiences, who enjoy his guitar, banjo and uke mastery.
David Bromberg We're excited to welcome David Bromberg back to Port Townsend after almost 20 years! His live shows remain as unique as ever; the give and take between band members
is complete, spontaneous, and totally sincere.
Bromberg started playing guitar at age 13. He heard Pete Seeger and
The Weavers and, through them, Reverend Gary Davis who became his
mentor. He then discovered Big Bill Broonzy, Muddy Waters and the
Chicago blues. His sensitive and versatile approach to
guitar-playing earned him jobs as a backing musician for Tom Paxton,
Jerry Jeff Walker and Rosalie Sorrels, among others. He became a
first-call, hired gun guitarist for recording sessions, ultimately
playing on hundreds of records by artists including Bob Dylan, Link
Wray, The Eagles, Ringo Starr, Willie Nelson, and Carly Simon. Solo success soon followed, receiving a Grammy nomination in 2007 for his solo release Try
Me One More Time.